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1. TIME LAPSE ASSEMBLER FRAME BLENDING 1080P
2. TIME LAPSE ASSEMBLER FRAME BLENDING UPDATE
3. TIME LAPSE ASSEMBLER FRAME BLENDING MANUAL
4. TIME LAPSE ASSEMBLER FRAME BLENDING PRO

Kewl.Ĭoming back to that estimated duration I mentioned: you may have noticed it was 14 seconds. The entire stitching and assembly has been done for us. We can also now treat this single entity like any other asset in Motion without having to worry about the number of files linked behind the scenes. Then, in Motion 5’s File Browser pane I get this:Īs you can see the file type has now changed to JPEG Sequence, the name now displays the number of images it contains and I’m even getting an estimate of the sequence duration at 30 fps. I went with leaves–0001 to leaves–0431, all exported to a single Images folder for the sake of clarity. It’s also essentially telling the application “ Hey! These files go together Bucko!”. The trick with images sequences is in the naming: you want a naming scheme that will allow the software to properly identify the order of the files. More importantly, it supports image sequences - meaning it can treat thousands of images as a single file. Motion is a compositing and animation application that’s perfect for these types of very short subjects. But it isn’t cheap and I’m not there yet. It looks like a very powerful bit of software that even allows animated variations of parameters, to tweak exposure or any sort of filter across time for instance. The king of the hill in time-lapse photography for Lightroom users is a plug-in called LRTimeLapse. Obviously, when doing this sort of work the idea is to automate the actual stitching of the files into a sequence as much as possible doing this manually is the last thing you want to be stuck with. I chose a midrange shot and synced everything once I was happy with the results.

TIME LAPSE ASSEMBLER FRAME BLENDING PRO

The images were shot in jpeg using the Pro Neg Standard film simulation and then processed in LR with one of my goto black and white presets, a tweaked version of VSCO’s Neopan 1600. I used the XF 55–200mm lens zoomed all the way in and wide open at f/4.8, ISO 1000, resulting in shutter speeds between 1/340 sec and 1/1900 sec - It was extremely windy so this was a compromise between motion blur and possible noise.įirst frame was shot at 11:20 AM, last frame at 07:01 PM one frame every minute for 7.5 hours.Īll the files were imported into a new Lightroom 5 catalog created specifically for time-lapse experiments (no reason to crowd my main library with this stuff).

TIME LAPSE ASSEMBLER FRAME BLENDING MANUAL

I switched the camera to manual focus to lock the frame down and chose aperture priority to keep my chosen depth of field constant and help with exposure variations I knew would happen throughout the day (sun and clouds playing hide and seek). The weather was uncertain so I set the X-T1 on a tripod in our living room and aimed it at a raspberry bush through the window.

TIME LAPSE ASSEMBLER FRAME BLENDING 1080P

So, before we dive into the BTS stuff, here it is (if you click on the HD icon you can see the 1080P version on Vimeo - well, a compressed version of it.)… But on the whole I’m happy with the results and I think it fits in with what I usually do. I’m not going to claim this is the most impressive example of time-lapse photography ever produced - we’re talking baby steps here, a first attempt. I also needed a subtext, a reason to do it beyond “ Look Ma! Time-lapse!”… I’d been meaning to do something with the new Interval Timer Shooting function for some time now, but while I’m often impressed by conceptual photography and projects involving tons of preparation and forethought, in my case it’s not the type of work that comes naturally.

TIME LAPSE ASSEMBLER FRAME BLENDING UPDATE

I’ve even stopped hitting the dedicated video button by mistake… Although on that front I still have my fingers crossed for a customization update ) Any minor gripes I had have effectively been swept away by daily use and rewiring most of my reflexes to this new body. As most of you know I’ve been using the X-T1 extensively - it’s become my main camera.